Studio and location work — still life, botanicals, and the animal world, shot in the manner of the Old Masters. London.
Adornment and concealment — heirloom silver, worn knuckles, a face withheld. Made on medium format in a single north window.
Beech and magnolia turned to copper, lit from behind until the veins read like stained glass. From an archive gathered each autumn.
A black jaguar held in near-darkness — only the eyes and the wet of the nose catching light. Three sessions at a big-cat sanctuary.
A pair of tiger moths suspended against velvet, wings backlit to translucence. Part of a wider study of the garden's overlooked insects.
Bearded iris arranged against oxblood tile, in the chiaroscuro of a Dutch flower painting. Available as archival pigment prints.